Dr. Tim Eberhart
Visiting Assistnat Professor of Moral and Public Theology
and Director of the Course of Study
I am currently reading Frederick L. Kirschenmann's
Cultivating An Ecological Conscience: Essays from a Farmer Philosopher. Although not as well known as Wendell
Berry or Wes Jackson, Kirschenmann is one of the most important agro-ecological
voices in the growing movement today to transform the ways we produce and consume
our "daily bread." What
makes Kirschenmann such an interesting figure is that he began his career in
the early 1970's as director of the Consortium for Higher Education in
Religious Studies in Dayton, Ohio after earning a Ph.D. in historical theology
from the University of Chicago.
After hearing one of his students from Nebraska describe a calling to
provide a "ministry to the soil" through non-conventional farming
practices, Kirschenmann decided to return with his family to his father's North
Dakota farmstead to figure out how to farm sustainably on the prairie. Cultivating An Ecological Conscience is
a collection of essays representing the accumulated knowledge of Kirschenmann's
four decades as a minister with and to the soil.
In the introductory essay, "Theological Reflections
while Castrating Calves," Kirschenmann recounts a Sunday morning years ago
when his wife asked him where he saw God in their farm. "I pointed to some Canadian
thistles in a fence line," he writes, "and to the calves surrounding
us and said, 'in every thistle in our fields and every calf humping another
calf in our pasture.'" He
goes on to provide a theological account of the incarnation which affirms, not
a pantheistic collapse of God and creation, but the truth that "the divine
always meets us in the flesh -- all flesh - all relationships" and
"not just our relationship with humans or relationships we don't
like" (p. 17). In an age of
climate change, resource depletion, and mounting evidence that our present
industrial food economy is not working for rural communities or rural
landscapes, Kirschenmann's practical theological wisdom on food, community, and
farming is desperately needed. If
you live in the Upper Midwest...actually, if you eat, you should read this
book.
Rev. Karla Kincannon
Director of Field Education and Vocational Formation &
Church Leadership; artist-in-residence
The top book on my stack of reading is The Moral
Imagination: The Art and Soul of Peacebuilding by John Paul Lederach. Lederach
discusses four needed disciplines for peacebuilding: the centrality of
relationships; the practice of paradoxical curiosity; providing a space for
creativity; and the willingness to risk. Each discipline is essential to
developing the moral imagination necessary for breaking the cycle of violence
and building peace. Each discipline needs to be practiced in order to cultivate
the moral imagination.
The first discipline is the facility of seeing the
importance of all relationships, including relationship with the enemy. The
ability to see ourselves in relationship to the enemy is the first step toward
embracing God’s shalom and following the command of Jesus to love the enemy
(Luke 6: 27-36). Imagining ourselves in relationship with the enemy means we
understand that we do not exist in isolation. All of life is interdependent.
Finding our place in the web of relationships that includes our enemy requires
we develop the virtue of humility.
The second discipline for conflict transformation is the
aptitude for seeing life’s complexities. This requires we move away from
dualistic thinking into a paradoxical curiosity. This kind of curiosity gives
us the ability to approach social realities with continuous inquiry, suspending
our judgment toward what at first seems contradictory. Paradoxical curiosity
takes us beyond face value into the ambiguity and complexity of the systems
that hold communal life together. It opens the door to unexpected opportunities
for peace because it looks beyond the biases, arguments, and narrow definitions
of reality, to what is possible.
The third discipline for peacebuilding is creativity.
Creativity transcends what is known and takes us into the unknown; it makes
something new from what already exists. Artists know that new life is always
possible. They give birth to possibility, teaching us the future is not a
captive of the past. In conflict transformation the creative act moves from
potential to actuality: it makes enemies into friends and violence into peace.
The final discipline for peacebuilding is a willingness to
risk. Peacebuilding requires that we step into the unknown with no promise of
success. Risk-taking requires faith and trust in the God who is both mystery
and love.
This book is my top choice on the subject of peacebuilding.




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